He is a man. He is solid and humble.
She tells the story three times, convinced
he does not understand. He is trying.
The story is about an elephant and a mermaid.
No, the story is about a millipede in a thicket of roses,
a prized buckskin horse and fifty lashes.
She is talking gibberish. He is trying to understand but she
is thunderbolt. Her tongue, a spear.
The dog is hiding in the back corner of a dark room.
The man wants to sit with the dog. She is melting.
Her face pools in her lap. Freckles pile at her feet.
There is nothing in the room that has not been hurled.
She is science like this. An atom, separating.
Finally, the story comes, like flood. Its mud seeps in
from under the doorjambs, rising. They are standing
ankle deep in water and rot and he understands now.
He is a spiced wound. He wants firearms. Hit-men. A brutal justice.
All the while, the window is sitting with its mouth open,
spilling their hot storm into the courtyard
where the neighbors have come to their sills,
elbows propped, hungry
like vultures.” —Jeanann Verlee, the telling (via grammatolatry)